Paul Stankard is recognized internationally for his reinvention of the traditional glass paperweight. A highly skilled scientific glassblower, Paul began to study his local flora in the 1960s and encased his detailed observations in glass with a flame worker’s torch.
Nestling in clear glass globes and cubes are tiny glass petals, leaves, stems and moss, recreated so perfectly that they almost seem real. His miniature works of art integrate his interest in botanical realism with mysticism and the cycle of life. Insects often hover above his flowers and entwined in the roots are magical little people. He sometimes jokes that he gets up early to catch the root people and put them in the glass!
Labore est orare
Stankard’s flame-worked sculptures are featured in a beautiful book Beauty Beyond Nature which spans more than 40 years of his career from his earliest attempts in 1969 to capture a daisy in glass. Initially he was inspired by the 19th century French botanical paperweight designs of Baccarat and Clichy. In 2010, Stankard began creating much larger orbs like crystal balls symbolizing his spiritual love of nature, including one encasing a swarm of honeybees. His Botanicals series includes much larger glass sculptures, often with a perpendicular orientation to provide a multitude of viewing angles.
On the walls of his studio is the Latin quotation “laborare est orare” “to work is to pray”, which sums up Stankard’s life with glass for more than 50 years. In his words, “I think of my work as referential. These are not literal flowers, though it is important to make them believable. The point of my work is not to make specimens but to evoke the experience of nature.”
View the fascinating documentary about Paul Stankard’s career below.